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boss katana pedal

boss katana pedal Boss Katana Gen 3 100-Watt 2x12-Inch Combo Guitar Amplifier – Chuck Levin's Washington Music Center

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boss katana pedal Boss Katana Gen 3 100-Watt 2x12-Inch Combo Guitar Amplifier – Chuck Levin's Washington Music CenterThe Next Generation of a Modern Classic The Boss Katana Gen 3 100 Watt 2x12 Inch Combo Guitar Amplifier With Katana Gen 3, the acclaimed BOSS stage amplifier series evolves to take your guitar ambitions to the next level. New Tube Logic enhancements enrich the core platform with even greater sound, feel, and response, including an expressive Pushed amp character that edge of breakup fans will love. The BOSS Tone Studio app has also been updated,


The Next Generation of a Modern Classic - The Boss Katana Gen 3 100-Watt 2x12-Inch Combo Guitar Amplifier

With Katana Gen 3, the acclaimed BOSS stage amplifier series evolves to take your guitar ambitions to the next level. New Tube Logic enhancements enrich the core platform with even greater sound, feel, and response, including an expressive Pushed amp character that edge-of-breakup fans will love. The BOSS Tone Studio app has also been updated, making your remote amp and effects editing workflow more intuitive than ever. Loaded with inspiring tone tools and diverse connectivity options, Katana Gen 3 is your indispensable centerpiece for studio recording, live performance, and daily practice.

The Katana-100/212 Gen 3 model projects rich, venue-filling sound with 100 watts of Class AB power and two custom 12-inch speakers.


  • Third-Generation Katana Amplifier with Evolved Tube Logic Sound and Expressiveness
  • Stage-Ready 100-Watt Combo Amp with Two Custom 12-Inch Speakers
  • Six Amp Characters—including the Newly Developed Pushed Type—Plus a Selectable Variation for Each
  • Five Independent Effects Sections: Booster, Mod, FX, Delay, and Reverb
  • Three-Way Contour for Shaping the Overall Tonal Color
  • Three Cabinet Resonance Options: Vintage, Modern, and Deep
  • Eight Tone Setting Memories for Storing All Amp and Effect Settings
  • Power Control for Achieving Cranked-Amp Tone and Response at Low Volumes
  • Updated Boss Tone Studio App (Windows/macOS) for Remote Editing from a Computer or Mobile Device
  • Download and Share Katana Sounds on BOSS Tone Exchange
  • Compatible with Sounds Created on Previous Stage-Class Katana Models


Katana Gen 3: Inspiration Unbound

Backed by our advanced Tube Logic amplifier architecture and reactive Class AB power, the BOSS Katana series has become a standard for guitarists everywhere since its introduction in 2016. Katana amps embody decades of BOSS development knowledge, providing professional, tube-inspired sound coupled with modern advantages like onboard effects, one-touch memory recall, deep sound customization, and reduced weight. Katana Gen 3 elevates the lineup with even more range and versatility, bringing you a playing experience that goes where no other amps can.

Refined Tube Logic Tones

Tube Logic recreates tube circuitry and all its complex interactions at a component level, putting the coveted tone and feel of classic tube amp designs under your fingers. Our approach continues to evolve with refinements to the five amp characters available in previous Katana models, including the iconic high-gain Brown type. The new Pushed character spotlights internal dynamic enhancements with the pleasing touch-responsive gain of a clean combo driven into harmonic saturation. All six amp characters include a selectable variation, giving you 12 distinctive tones to support every musical style.

“Sweet Spot” Sound at Any Volume

As every tube amp lover knows, the sound becomes richer, fuller, and more responsive as you turn up the volume. Unfortunately, it also gets way too loud for many playing situations. An external power attenuator is a common solution, but it can introduce artifacts that color the amp’s tone and feel. The integrated Power Control in Katana Gen 3 delivers the best of all worlds, letting you dial in cranked-amp inspiration with no adverse effect on the sound. Just turn the panel knob to transparently harness the level for everything from live stage playing to daily bedroom jams.

Famous BOSS Effects

Katana Gen 3 features five simultaneous effect categories loaded with essential selections from the historic BOSS library. Booster, Mod, FX, Delay, and Reverb sections offer enhanced sound quality, grab-and-go parameter controls, and three variations each for access to 15 unique effects. BOSS Tone Studio unlocks additional possibilities, allowing you to customize the onboard effects from 60 different types and tweak deep options not available from the amp’s panel. And when the optional Bluetooth Audio MIDI Dual Adaptor is installed, you can wirelessly edit sounds on the gig using the BTS editor app on your smartphone.

Unrivaled Sound-Shaping

BOSS Tone Studio for Katana Gen 3 offers new visual enhancements and graphic customization options that make crafting your tone faster and more intuitive. Explore amp and effect editing tools, change the effect order, and shape the overall sound with the three-way Contour control and multiple EQs. Dial in system-wide settings and behaviors. And organize custom setups for all your gigs. You also have access to BOSS Tone Exchange, where you can download pro setups and share sounds with the worldwide Katana community.

Complete Stage Command

Katana-100/212 Gen 3 features a host of powerful tools for modern performers. Eight Tone Setting memories let you store and recall complete amp/effect setups, while rear-panel jacks support remote control with footswitches and an expression pedal. The GA-FC and GA-FC EX Foot Controllers extend your capabilities even further, providing complete stage control solutions for your Katana Gen 3. Switch Tone Settings, turn effects on/off, integrate multiple expression pedals, and more. The GA-FC EX model also includes an expansion option to double your footswitches or control two Katana amps at once.

Expand Your Range

Katana-100/212 Gen 3 flows with all your creative journeys. Easily link two amps via the Stereo Expand* function, with master control from the main amp and stereo effects like chorus, delay, and reverb distributed across both amps for a wide, immersive sound. Or connect to the Power Amp In jack to bypass the Katana preamp and use the reactive Class AB power section to amplify a modeler or an external preamp.

*Stereo Expand is supported on all Katana Gen 3 and MkII models except the Katana-50 Gen 3 and Katana-50 MkII.

Get Connected

Katana-100/212 Gen 3 includes connectivity to meet every need. Plug in headphones to practice quietly with stereo sound. Send a feed to a house PA via the Line Out jack. And record to your favorite music software on computers and mobile devices over USB-C. All audio outputs feature IR-based cabinet sound for great direct tone, with three Air Feel types and two customizable settings in BOSS Tone Studio.


SPECFICATIONS

  • Rated Power Output: 100 W
  • Nominal Input Level
    • Input: -10 dBu (1 M Ohms)
    • Aux In: -10 dBu (20 K Ohms)
    • Return In: -10 dBu (100 K Ohms)
  • Speaker: 30 cm (12 Inches) x 2
  • Controls
    • Power Switch
    • Presence Knob
    • Master Knob
    • Solo Button
    • Power Control Switch (Standby, 0.5 W, Half, Max)
    • Cab Resonance Switch (Vintage, Modern, Deep)
  • Amplifier
    • Variation Button
    • Amp Type Knob (Acoustic, Clean, Pushed, Crunch, Lead, Brown)
    • Gain Knob
    • Volume Knob
  • Equalizer
    • Contour Button
    • Bass Knob
    • Middle Knob
    • Treble Knob
  • Effect
    • Booster Button
    • Mod Button
    • FX Button
    • Delay Button
    • Reverb Button
    • Tap Button
    • Booster Knob
    • Mod Knob
    • FX Knob
    • Delay Knob
    • Reverb Knob
  • Tone Setting
    • CH1 Button
    • CH2 Button
    • CH3 Button
    • CH4 Button
    • Panel Button
  • Stereo Expand
    • Stereo Expand Switch
  • Indicators
    • Variation
    • Acoustic
    • Clean
    • Pushed
    • Crunch
    • Lead
    • Brown
    • Contour
    • Booster
    • Mod
    • FX
    • Delay
    • Reverb
    • Tap
    • Solo
    • CH1
    • CH2
    • CH3
    • CH4
    • Panel
  • Connectors
    • Input Jack: 1/4-Inch Phone Type
    • Power Amp In Jack: 1/4-Inch Phone Type
    • Line Out Jack: 1/4-Inch Phone Type
    • Send Jack: 1/4-Inch Phone Type
    • Return Jack: 1/4-Inch Phone Type
    • Stereo Phones Jack: Stereo 1/4-Inch Phone Type
    • EXP Pedal Jack: 1/4-Inch TRS Phone Type
    • GA-FC/CTL CH1/CH2 Solo Jack: 1/4-Inch TRS Phone Type
    • Aux In Jack: Stereo Miniature Phone Type
    • USB Port: USB C Type
    • Bluetooth Adaptor Slot: BluetoothⓇ Audio MIDI Dual Adaptor
    • AC In Jack
  • Power Consumption: 77 W
  • Dimensions (Include Handle and Rubber Feet)
    • 670 (W) x 248 (D) x 484 (H) mm
    • 26-7/16 (W) x 9-13/16 (D) x 19-1/16 (H) Inches
  • Weight
    • 19.8 Kg
    • 43 Lbs 11 Oz
  • Accessories
    • Owner's Manual
    • Power Cord
    • GA-FC Sticker
  • Options (Sold Separately)
    • Footswitch: BOSS FS-5L, BOSS FS-6, BOSS FS-7
    • Expression Pedal: Roland EV-5, BOSS EV-30, BOSS FV-500L, BOSS FV-500H
    • GA Foot Controller (GA-FC, GA-FC EX)
    • BluetoothⓇ Audio MIDI Dual Adaptor (Model BT-DUAL)
    • Amplifier Stand: BAS-1
  • * 0 dBu = 0.775 Vrms


Manufacturer: Boss
Model: KTN-212 3
SKU: I786921-4-WHXX


We are Chuck Levin's Washington Music Center

Since 1958, Chuck Levin’s Washington Music Center has been the trusted destination for musicians and audio professionals across Maryland, Virginia, and Washington, D.C. Family-owned and operated, our legendary music store delivers Everything in Music®—from instruments and recording gear to pro audio, rentals, and repair services.

Our team of musicians and industry experts lives and breathes gear, helping you build the perfect setup for your next performance, studio session, or installation. As an authorized dealer for top brands, we also offer our award-winning CHUCKSCLUSIVE line—exclusive, limited-edition instruments and collaborations recognized with the NAMM Top 100 Dealer Innovation Award for redefining what a music retail experience can be.

Chuck Levin’s isn’t just a store—it’s a community built by players, engineers, and creators who share a lifelong passion for sound. Stop by our legendary Wheaton, MD showroom or contact us anytime for expert advice, product questions, or the best possible deal on your next piece of gear.


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SKU: 52290256732

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Alexander Kobulnicky
Houston, US
★★★★★ 4
The Sidekick in Early-Modern Literature.
Tom Jones is probably the most influential novel in English history, pioneering elements like complex characterization, social criticism and authorial interjection. But you already knew that. What you want to know is, is this a good book for us in the 21st century. And here, it's not so clear. The dialogue is pretty brisk, and some of the exchanges (the stereotypical Whig Mrs. Western arguing with her Jacobite brother is a particular treat) are actually funny. The latter part of the novel evolves into a farce, with a dozen characters engaged in scheming against one another, while Tom and Sophia helplessly go along. Farce works better in drama, where it has a faster pace, but it's always a welcome mode of comedy. You don't see enough farces. Some of the characters are evocative (why do I picture Blifil as looking like Ted Cruz?) but some are not: Dowling is just a lawyer, and Mrs. Miller is a good woman, like thousands who have come since, and that's all there is to it. It's not as if every character needs to, or can, be a fully realized person, but the parts of the novel spent with these human plot devices do feel mechanical. But Mr. Partridge, Tom's traveling companion, is in a different category altogether, and he just poisons the parts of the novel that he features in (chiefly the middle third). Eighteenth Century literature has a depressing reliance on goofy loose-lipped sidekicks: Mr. Partridge, Hugh Strap, Humphrey Clinker, Andrew Fairservice, Friday. Sometimes they're servants, but sometimes they're just stupid friends. Part of this must be practical: It's difficult to follow a wandering hero (and why are the heroes of these novels always wandering? But that's a different question altogether) without giving him a friend to talk to. Maybe early novelists had a hard time sketching characters who didn't have a way to discuss the ongoing action. But mostly, I think this is the bad influence of Don Quixote, which was becoming increasingly popular in England during this period. Sancho Panza is OK, and he's certainly the funniest element of that leaden tome. But Mr. Partridge *is* Sancho Panza, cowardice, superstition and all, and one Sancho Panza was more than enough. You know? There's a limited number of things that a silly, selfless, lazy pal can do, and it's hard to read about the same old doofus, yet again.
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Reviewed in the United States on April 28, 2016
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Diana S. Long
Cuba, US
★★★★★ 5
Delightful and entertaining
Format: Kindle
314. The History of Tom Jones: a foundling by Henry Fielding (Novel-Audible/E Book-Fiction) 5* I read along with the Audible of the novel which I found a highly delightful and entertaining experience. The narrator, Bill Homewood, who performed the audio version of the work was excellent doing the various characters as well as the invisible narrator (author) of the story. The Synopsis is as follows: A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire—though he sometimes succumbs to the charms of the local girls. When Tom is banished to make his own fortune and Sophia follows him to London to escape an arranged marriage, the adventure begins. A vivid Hogarthian panorama of eighteenth-century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, Tom Jones is one of the greatest and most ambitious comic novels in English literature. It is rather brilliant, and there is no lack of shenanigans as we follow Jones through his history and the reader never knows when and where the author will abruptly go off on a tangent, told in a most eloquent manner, end with a flourish and no doubt tossed his quill down and took a bow. I am either taken in by some farce or thoroughly enchanted by this author. As Fielding is rather the loquacious writer this read comes in Audible time at almost 38 hours or roughly 1,000 pages but worth every minute spent on it.
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Reviewed in the United States on December 19, 2017
H
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Hawkeye
Los Angeles, US
★★★★★ 5
An epic nearly 300 years old
Tom Jones is the comical history of a young man who was adopted into a rich family and faces a brother who is against him all while they grow into maturity. It’s kind of like the first part of JoJo’s Bizarre Adventure except with Jonathan and Dio being reversed and with no vampires, but there is a moment where someone gets really scared while watching the ghost in hamlet so there’s at least some notion of the supernatural. Getting into it though, it’s an easy read despite it’s length encompassing 18 books, it’s honestly fascinating that it was able to be written so cleanly considering how many gaps there must of been between these books being written, it reads to us as a consistent narrative, but to imagine the wait and changing times that must have occurred during the duration to the story is really interesting to consider. The role and function of the narrator is probably the only real glimpse of this in narrative as he’s really just talking to us in the first chapter of every book, but the narrator being so clever and charming makes the only thing of interest be him and the relationship we form to him. It’s an incredible experience that I can recommend the entire story for alone. Getting to know the narrator is like talking to an old, reliable friend and it’s worth reading into nearly 300 years on.
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Reviewed in the United States on March 27, 2021
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Astronomere
Houston, US
★★★★★ 3
Jone's Tome
This book seems more likely to be enjoyed by literary academics than by folks looking for a good story. While Henry Fielding is indeed a learned man of letters and does write in a fine and high style with many subordinate clauses, the actual substance thereof is no better than more earthy pedestrian fare. To put it plainly, I found most of the book a rather tedious slog. This is my personal subjective opinion only as I do believe Henry Fielding is well esteemed by serious literary scholars who undoubtedly see the matter quite differently. I am judging this book purely by my own personal enjoyment of the actual narrative and plot construction, and by my difficulty in teasing out the subordinate clauses which are so bound up with this age of writing. Imagine a very learned and erudite professor trying to tell you a common bawdy tale, but taking forever to do it while using the most stuffy language. I had thought that my deeper background in reading many Victorian era novels would qualify me to enjoy this one, but the language was a little too dense to make it an enjoyable read. I was however able to follow the story as well as the side epistles the author directly addresses the reader with (which I find to be an annoying device also much used in that era). I did read the whole thing and did take pleasure in some parts, but I must confess my bias towards this earlier era of novel writing. It takes very learned men of their age and has them writing long-winded tales of inferior construction when compared against later centuries. I know this is not their fault any more than you can blame a champion athlete of his time for having his record broken decades later when methods have universally improved.
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Reviewed in the United States on July 19, 2015
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Oren T. Bergfald
Louisville, US
★★★★★ 5
Text is nearly 300 years old…!!! 😅😅😅
Read this publication alongside Cliff Notes. It’s a fun book, but the Latin poems and phrases can be intimidating. In addition, watch the movie. It’s an old text, so utilize resources to develop your understanding. 📚📖📙📘📗📕
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Reviewed in the United States on June 1, 2026

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